Greatest F*ckin Hits

(x) Como não amar esse féladaputa?

Sat, 27 Apr 2013 23:52:35 -0300

(x)

Como não amar esse féladaputa?

A evolução do novo Superman na sensacional capa de Action Comics #17

Tue, 29 Jan 2013 16:03:39 -0400

A evolução do novo Superman na sensacional capa de Action Comics #17:

Óia que foda isso!

Photo

Mon, 01 Oct 2012 02:19:45 -0300

<3 adventuretime: (via fyeadventuretime)

Mon, 01 Oct 2012 01:56:18 -0300

adventuretime:

(via fyeadventuretime)

Photo

Wed, 18 Jul 2012 01:49:32 -0300

Forbes confirms it: Tony Stark is richer than Bruce Wayne.

Wed, 18 Jul 2012 01:35:40 -0300

Forbes confirms it: Tony Stark is richer than Bruce Wayne.:

Dinheiro na cara das vadias.

psych-0saltgunner:

starkassembled:

Omg lol I thought they meant franchise-wise, but they’re actually talking about the characters themselves.

- É, ouvi a sua história na última vez em que estive na...

Mon, 25 Jun 2012 18:27:00 -0300

- É, ouvi a sua história na última vez em que estive na cidade.

- Como história! - berrou Brom. Os olhos dele faiscavam. - Se aquilo foi apenas uma história, então os rumores da minha morte são verdadeiros, e você está falando com um fantasma! Respeite o passado, você nunca sabe como ele poderá afetá-lo.

Eragon, pág. 50

<3

Mon, 25 Jun 2012 18:22:49 -0300

Disco de sucesso, da capa em diante. twoshortdaysblog: A recent...

Mon, 18 Jun 2012 03:20:10 -0300

Disco de sucesso, da capa em diante.

twoshortdaysblog:

A recent commission for me was shooting the album cover and campaign images for Keane’s recent number one album, Strangeland. I knew where the band were coming from sonically with this record having been in and out of the studio with them for over a year documenting the recording process. We had a couple of false starts getting the narrative right for the visuals and eventually we settled on the photographic route you are all familiar with.

The photos were taken in Bexhill-On-Sea last February on what were a couple of the most relentlessly cold days of the year - my car got stuck in frozen snow on the outskirts of the town and I had to frame shots where drifts of frozen snow on the ground were not visible. I’d been on the beach since 4am doing long exposures of the shifting tide. My hands were so numb through my gloves I couldn’t feel my camera at all. I think it was about -8 degrees and colder still with the high winds. It was brutal. I knew I was getting some interesting shots but the weather was massively distracting and I wasn’t sure I was nailing anything that would work as a cover. I wanted to tell a human story without having anyone in the photo itself. I also just wanted to be indoors and out of the spirit shattering cold. I just couldn’t think but I only had a couple of days left to come up with a cover everyone would like. The pressure was getting slightly monolithic from where I was standing.

At around half five in the morning I saw the lights slowly coming on in the towerblocks and I knew from where I was on the beach looking back up at the horizon that that was my shot. It just felt instant. That was it. I was standing right in front of and in, the next album cover. I didn’t think I could come up with another shot in Bexhill that would encapsulate the album better. I shot it fast as I could knowing the moment - and the light - was going to pass very quickly. I hope it captures some of the isolation, intimacy and otherworldliness I felt on that morning. I hope it gets across the idea of a journey. The uphill climb. Of leaving and returning. Of destination. The original shot is fairly colourless, all pale blues punctuated with yellow light as you’d imagine at that time of day. Additional image grading was done by the album’s splendid designer Rob Cherny (Tourist) to fit the vibe and route of the campaign he’d reached with the band. You can see additional images of the limited edition A4 book featuring my photos that he designed for the album here on my website: http://bit.ly/KGN5tU

What I like about the image is that it is a genuine story. We didn’t contrive which lights came on or that I was going to frame that shot at all. It was the first time I’d been to that part of the seafront so there is a truth to the original photo that I really love. It is just a portrait of life in that town. I went back on consecutive mornings hoping to get more of the same sort of thing, to provide the band with more options on those and other buildings but of course the lights never came back on that early again, always once the sun was up and in that slip of time between night and day where I got my cover and life feels like it has momentarily paused, it remained dark.

Story of my life! odametal: CHANDLER BING: My spirit animal

Mon, 18 Jun 2012 01:48:21 -0300

Story of my life!

odametal:

CHANDLER BING: My spirit animal

Tadin do Homaranha.

Mon, 18 Jun 2012 01:20:16 -0300

Tadin do Homaranha.

Coca-Cola: Um olhar diferente através das câmeras de segurança

Tue, 12 Jun 2012 09:08:07 -0300

Coca-Cola: Um olhar diferente através das câmeras de segurança:

E ó lá, ó… A Coca-Cola fez de novo! Muito bom.

Until the very end.

Mon, 11 Jun 2012 09:39:17 -0300

Until the very end.

Embarque nesse Carrou… OHWAIT!

Sun, 10 Jun 2012 22:53:24 -0300

Embarque nesse Carrou… OHWAIT!

Photo

Thu, 07 Jun 2012 19:49:33 -0300

Ironman say: Pikachu, I choose u!

Thu, 07 Jun 2012 19:41:42 -0300

Ironman say: Pikachu, I choose u!

vanillatweezle: Avenger Time! by *MoogleGurl OH MY GAWD. Lumpy...

Thu, 07 Jun 2012 19:03:06 -0300

vanillatweezle:

Avenger Time! by *MoogleGurl

OH MY GAWD.

Lumpy Space Princess as Nick Fury.

That made my day.

Photo

Thu, 07 Jun 2012 18:48:19 -0300

Da série: Melhores Filmes de Todos os Tempos!

Thu, 07 Jun 2012 18:43:12 -0300

Da série: Melhores Filmes de Todos os Tempos!

<3

Tue, 05 Jun 2012 23:49:15 -0300